Publications:
This Side of Philosophy: Literature and Thought in Twentieth Century Spanish Letters. SUNY Press series ¿Literature... in Theory.¿ State University of New York Press, 2023.
Review of Laura Jansen, Borges¿ Classics: Global Encounters with the Graeco-Roman Past. Cambridge UP, 2018. Comparative Literature Studies, vol. 58, no. 1, 2021, pp. 215-7.
¿No servir de nada: Literature and Nonviolence in Zambrano, Bataille and Matute.¿ CR: The New Centennial Review, vol. 20, no. 2, Fall 2020, pp. 49-82.
Translation from Spanish and German, with scholarly notes, of Pablo Oyarzún, Doing Justice: Three Essays on Walter Benjamin. Polity Press, 2020.
¿Crisis de la imaginación: la ambivalencia de lo fantástico en Bécquer, Todorov y Blanchot.¿ Tropelías. Revista de Teoría de la Literatura y Literatura Comparada, vol. 33, 2020, pp. 168-185.
"Prefatory Conventions and Invention: Rereading Borges's Prologue to La invención de Morel." Revista de Estudios Hispánicos, vol. 53, no. 2, 2018, pp. 983-1005.
"El perro de Kant: Time, Borges, Kant's Dog. Review essay of David Johnson, Kant's Dog: On Borges, Philosophy and the Time of Translation. Interdisciplinary Literary Studies, vol. 17, no. 4, 2015, pp. 632-636.
"Ortega: Secrecy and the World." CR: The New Centennial Review, vol. 14, no. 3, Winter 2014/5, pp. 49-74
"Los abismos del cainismo: La sima de José María Merino." Modern Language Notes, vol. 29, no. 2, March 2014, pp. 433-453.
"Nothing and Everything: Borges and Nihilism," in Thinking with Borges, edited by David Johnson and William Eggington. The Davies Group, 2009. 19-36.
Translation of "Una tumba" by Juan Benet: "An Open Grave." The Dirty Goat, vol. 23, Fall 2009, pp. 140-159.
"Europe's Frenzy: European and Spanish Universality in María Zambrano." CR: The New Centennial Review, vol. 8, no. 3, 2008, pp. 189-214.
"Telling in the Halflight: The Mimetic Poetics and Juan Benet's En la penumbra." Hispania vol. 91, no. 3, September 2008, pp. 579-578.
"Historia fantástica: genre and historiography in Juan Benet's Una tumba." Cincinnati Romance Review, vol. 27, 2008, pp. 71-86.
"Transiciones: Carlos Saura's Deprisa, deprisa." Selected Proceedings of the Pennsylvania Foreign Language Conference (2004). Grelin Press, 2005. 25-34.
"Returning to the Originary Enmity of Philosophy and Literature: Juan Benet's DEL POZO Y DEL NUMA (Un ensayo y una leyenda)." Revista de Estudios Hispánicos, vol. 38, no. 2, Mayo 2004, pp. 317-340.
"Culture and Anonymity: The Other Voice of Los pasos perdidos." CR: The New Centennial Review, vol. 1, no. 1, February 2001, pp. 229-256.
Translation, with notes, from Spanish of selections from Orígenes and Ciclón, including texts by José Lezama Lima, Cintio Vitier, and others. CR: The New Centennial Review, vol. 2, no. 2, February 2002, pp. 19-150.
Translation from German of Alexander García Düttmann's "Old Opera," in Lifeline and Self-Portrait. Serpent's Tail, 2001.
"Arte y el dominio de la representación." José Luis Pardo, Stephen Gingerich, Manuel Saiz, Begoña del Teso. rostro@representación.com. Diputación Foral de Gipuzkoa, Departamento de Cultura y Euskera, 1998. 47-67 (in Spanish), 69-89 (in Basque).
Translation from German of Düttmann's "Entkunstung." L'Esprit créateur, vol. XXXV, No. 3, Fall 1995, pp. 53-65.
Review of John O'Neill's Critical Conventions. MLN Comparative Literature Issue, vol. 108, no. 5, December 1993, pp. 1016-1019.