"Sheelas, Sex, and Significance in Romanesque Sculpture: The Kilpeck Corbel Series." Studies in Iconography 26 (2005): 1-26.

"George Petrie, the Ordnance Survey, and Nineteenth-Century Constructions of the Irish Past."  In Medieval Art and Architecture after the Middle Ages, ed. Janet T. Marquardt and Alyce A. Jordan, 129-148.  Newcastle upon Tyne: Cambridge Scholars Publishing, 2009.

"Versions of Pygmalion in the Illuminated Roman de la Rose (Oxford, Bodleian Library,
MS Douce 195): The Artist and the Work of Art."  Art History 33 (February 2010): 28-53.

"Reconsidering Female Agency: Hildegard of Bingen, Francesca Woodman, and the Issue of the Woman Artist."   Women¿s Art Journal 31/2 (November 2010): 39-46

¿The Eve fragment from Autun and the Emotionalism of Pilgrimage.¿ In Crying in the Middle Ages: Tears of History, ed. Elina Gertsman, 16-34.  New York: Routledge, 2011.

¿Romanesque.¿  Studies in Iconography 33 (2012): 257-67.

¿Hag of the Castle: Women, Family, and Community in Later Medieval Ireland,¿ Different Visions: A Journal of New Perspectives on Medieval Art 5 (2014):

"The Monster, Death, Becomes Pregnant: Female Transi Tombs in Renaissance France.¿ In Gender, Otherness, and Culture in Medieval and Early Modern Art, eds. Carlee A. Bradbury and Michelle Mosley-Christian, 151-78.  Palgrave Macmillan, 2017.

Motherhood and Meaning in Medieval Sculpture.  Boydell and Brewer Press.  2017.